Encyclopedia of Korean Folk Culture

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01
Dukkeobijip Jitgi Nori

A game making cave-shaped houses by placing and patting wet dirt or sand over the back of one hand, and then slowly trying to remove it. Also called, Moraejip Jitgi Nori, this iconic folk game of Korea has children making houses with dirt or sand. First, the player places wet dirt or sand on the back of one hand, and then pats the dirt with the other hand to mold it into a solid structure. The patting takes patience and attention since the hand below dirt needs to be remain still throughout the

Korean Folk Arts

02
Three-Legged Crow

The legend of “Samjogo” narrates the story of an imaginary bird with three legs, believed to live on the sun, or to symbolize the sun. According to Chinese records, the concept of the three-legged crow came from the observation that the black spot on the sun resembled a crow, and that the number three in traditional cosmology indicates light, or yang energy, or that the number three itself indicates the sun. In Korea, images of the three- legged crow have been found in murals of Goguryeo tombs N

Korean Folk Literature

03
Arrow Throwing

Tuho (Kor. 투호, Chin. 投壺, lit. throwing into a vase) is a game in which players are divided into two teams and throw arrows into a vase placed at a certain distance. The vases into which the arrows are thrown vary both in size and shape. The size of the arrows also differs, and each player is given a set of twelve arrows. Points are earned depending on the proximitiy of the arrow to the center of the vase. The game originated in China prior to the Han dynasty (BCE 206 - CE 220). It is mentioned i

Korean Seasonal Customs

04
Jindo Sopo Geolgun Nongak

Nongak (farmers’ music) handed down in Sopo-ri, Jisan-myeon, Jindo, Jeollanam-do Province. The origins of Jindo Sopo Geolgun Nongak can be found in the righteous army soldiers (uibyeong) who disguised themselves as nongak troupes performing to raise money or collect rice during the Japanese invasions (1592-98) as a way to scout enemy positions and implement their battle strategies. In this regard, an historical document describing nongak as a military strategy remains. It is an untitled document

Korean Folk Arts

05
New Year’s Flag Greetings

Gisebae (Kor. 기세배, Chin. 旗歲拜, lit. New Year’s flag greetings) is a custom observed during Jeongwol Daeboreum (Kor. 정월대보름, Great Full Moon Festival) with the purpose of praying for an abundant harvest. As its name implies, the custom involves the use of flags that are referred to as nongsingi (Kor. 농신기, Chin. 農神旗, lit. farming god flag). Gisebae is also known under other names such as nonggi sebae (Kor. 농기세배, Chin. 農旗歲拜, lit. greetings of farming flags), nonggi bbaetgi (Kor. 농기뺏기, Chin. 農旗-, lit.

Korean Seasonal Customs

06
Hwagatu

A game competing the number of memorized traditional three-verse Korean poems, written in cards spread out on the floor. The literal meaning of Hwagatu is to compete with flower-like songs (or sijo, traditional three-verse poem)., indicating its aim of competing the number of memorized sijo. As some elders in their seventies remember playing Hwagatu in the past, the game was still clearly played widely following the liberation from the Japanese Occupation in 1945. Every remaining Hwagatu card is

Korean Folk Arts

07
Nongsapuri

A series of farming procedures mimicked, or acted out, by a group of performers to the accompaniment of nongak (farmers’ music) rhythms. Like entertainment-oriented nongak performances called pangut, nongsapuri is performed by a group to entertain an audience. It developed in a systematic way mostly in the northern part of Gyeonggi-do Province and the Yeongdong region, where nongak itself can be called nongsapuri nongak. In some parts of the Yeongnam region, nongsapuri is included as part of pan

Korean Folk Arts